Natasha is currently a West-Wales based artist having graduated with an MAFA in 2017, and currently focusing on her practice-based PhD research in art history and contemporary arts practice at the University of Northampton. She is concentrating on the overarching questions surrounding the multivalence of the image within Baroque painting, and its ambiguity. Primarily a painter interested in the style and techniques of the ‘old masters’ and representational painting, at present, Natasha is dealing with the photographic as a device to disfigure and re-vision using historic art as a primary source; through paper lithography and photocopy transfers, creating work that fragments and inhibits the historic image. 

 

Natasha also has an expansive knowledge and expertise across many creative practices. ​She has always had an interest in the mystical and the mythical and her admiration of historical painting by old masters has greatly influenced the style of painting and artworks produced, which continues to be a driving force behind her practice.